With dystopia and post-apocalypse as a backdrop, I work with themes of human fragmented behavior in relation to an ever-changing nature.

Tommy Aashildrød

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I explore painterly processes through the use of color, texture, and brushstrokes. My paintings are based on collages featuring motifs of architecture and nature (both from Norway and Bosnia). In my projects, I reflect on belonging, displaement, suppressed emotions, and loss.

Alma Orucevic

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Based on freehand doodling, I paint compositions of abstracted shapes, precise lines, and chosen colors.

Hilde Kathrine Engel Bredal

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Using a visually symbolic language with references to art history and religion in a theatrical Baroque atmosphere, I create a world of figures in conflict with one another.

Rina Neimi

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In an underlying search for meaning in a world shaped by history and human experience, I invite the viewer through color-driven abstraction into conversations about perception, memory, and belonging.

Sonja Kluge – Berge

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To unify different found objects, I wrap them in brown paper and paint them with black spray. In this process—by obscuring the decorative elements and changing the materiality of the chosen objects—I alter their identity.

Marius Bystøl Funnemark

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To bring out nature’s vulnerability in a nuanced, fragmented, and sensory expression, I move in close to the subject with multiple exposures. The “something” that unexpectedly emerges between the layers of the image opens up another reality that can be experienced from different perspectives.

Inger Edvinsen